Feuilles IV / Blätter IV (Leaves IV)
19 x 34 cm / 7 1/2 x 13 3/8 in
Verso, signed, dated and titled
Hans Arp is a familiar figure of classical Modernism and was a key contributor in the development of Dada and Surrealism in the early twentieth century. Focusing his attention on everyday objects, Arp created his own unique ‘object language’ using a nonsensical vocabulary: plate, fork, knife, clock, tie, moustache, lips, breasts. With a playful hand he juggled the dominant art currents of the early twentieth century, combining seemingly contradictory geometric and organic formal idioms with the artistic ‘-isms’ of his epoch.
Celebrating Basel Basel
Basel played an important role in Hans Arp’s life and work. As early as 1932 and 1944, he was a part of the group exhibitions at Kunsthalle Basel, alongside Serge Brignoni and Kurt Seligmann. Later, his interest in architecture culminated in the 1960 public sculpture ‘Betonstele Colonne aux éléments interchangeables’ at Allgemeine Gewerbeschule Basel. Arp’s freestanding, edifice-like relief simultaneously created barriers and passages.
Master of 20th Century Sculpture
Over a period of more than sixty years, Arp produced an extraordinarily influential body of work that shifts fluidly between abstraction and representation, and between organic and geometric forms. Take a closer a look at the life and work of this 20th-century master, with insights from Nasher Sculpture Center curator Catherine Craft, Gerhard Marcks Haus director Arie Hartog, and Loretta Würtenberger, director of The Institute for Artists’ Estates.