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Homenaje a la Arquitectura II (Homage to Architecture II)

2000
Alabaster
88.9 x 50 x 62 cm / 35 x 19 5/8 x 24 3/8 in

EUR 3,200,000

Homenaje a la Arquitectura II (Homage to Architecture II)

Throughout his career, Eduardo Chillida created works in tribute to various figures that he respected and admired. Titular structures of these works include ‘Homenaje a’ (‘Homage to’), ‘Casa de’ (‘House of’), ‘Estela de’ (‘Stele of’), ‘Saludo a’ (‘Salute to’) and ‘Mesa de’ (‘Table of’). Chillida’s homages fell into three broad groups: he dedicated pieces to artists including Constantin Brancusi, Alexander Calder and Joan Miró; musicians like Juan Sebastián Bach and Antonio Vivaldi (the latter of whom provided the basis for his first work in homage, in 1952); and philosophers and poets such as Martin Heidegger, Gaston Bachelard and Pablo Neruda. In full, Chillida’s homages come out to more than 80 sculptures, 58 prints, and two drawings.

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Eduardo Chillida

With a varied and pioneering practice that spans small-scale sculpture, plaster work, drawing, engraving and collage, Spanish artist Eduardo Chillida is best known for his prominent monumental public sculptures, mostly displayed in Spain, Germany, France and the USA. Throughout his career, Chillida drew on his Spanish heritage combined with a fascination for organic form, as well as influences from European and Eastern philosophies, poetry and history, to develop an artistic voice that communicated and resonated with a continent undergoing rapid transformation.

Originally a student of architecture, Chillida created art guided by its principles. His formally rigorous constructions in oxidised iron are imbued with tension and poise. Chillida’s contribution towards Spain’s postwar artistic reputation and his personal legacy endure through his work and also through the Foundation which he set up in 2000. In the same year, Chillida opened Chillida Leku, an exhibition space and sculpture park converted from the historic Zabalaga farmhouse in the town of Hernani, near San Sebastian.

Eduardo Chillida in the studio at villa Paz 1965. Photo: Sydney Waintrob, Budd Studio N Y.

‘Form springs spontaneously from the needs of the space that builds its dwelling like an animal in its shell. Just like this animal, I am also an architect of the void.’
—Eduardo Chillida

Eduardo Chillida: Sculptor

Jed Morse, Chief Curator, Nasher Sculpture Center, talks about the work of Eduardo Chillida (1924 – 2002). Widely recognized for monumental iron and steel public sculptures displayed across the globe, Chillida is also celebrated for a wholly distinctive use of materials such as stone, chamotte clay, and paper to engage concerns both earthly and metaphysical.